Integrity of Curriculum

Many schools consciously strive to build processes and structures that honour children and their learning. More often than not, however, curriculum is seen as separate. Loftier ideals are the backdrop against which we continue to teach ‘subjects’ or ‘content’.

Montessori education digresses from this oversight. What we present, is as important as how we present.

The curriculum itself embodies the nature of the child. Moreover, it is intuitive and flexible . It can align itself to broader developmental stages of children, as well as, to the infinite variety that comes with each individual. All children forge their own unique path through the curriculum.

The curriculum seeks to answer our children’s deepest questions. It ‘holds’ them as they construct an understanding of themselves, each other and their world.

For the young child the prepared environment, both psychological and physical, is pinnacle. This is the very basis from which children safely explore their physical and social environments. Walking this path with them, is a responsive and steadfast adult.

The curriculum for the young 3 to 6 child, supports their desire for physical independence, an understanding of their immediate experiences and nurtures their stirrings of social life.

It helps the young child gain in skill, which they go on to use as keys to navigate their world and build their very core. Often these keys may seem mundane and all too commonplace to adult eyes but in truth they are indeed golden keys.

Think of the typical scene in Montessori environments, of a young child grating a carrot. This act of grating a carrot is in fact an act of independence. The child can independently get themselves a snack whenever they sense their hunger. As their abilities expand they use these skills to build community. Think of the child grating a carrot and then sharing it with a peckish friend. The act of grating a carrot carries process, involvement, self direction, self reliance and opportunities for building community.

As children continue through their elementary years they become well-equipped with the epic tales we love to tell. Tales that satisfy their need to understand the very cosmos around them and find their spot within it. They realise that their story is connected to the very beginnings of time.

They learn that the carbon in their bones, is the carbon of stars and is the same carbon of beetle’s wings. The stories tell them how the gift of their backbone came from will-o-wisps of jelly floating in Cambrian seas. They find fellowship with Lucy and trace their home back to the savannahs of Africa. Each time a child writes a letter or numeral she understands that the marks made, carry a story of merchants, priests and kings.

Within these deep time stories children connect details of themselves and their explorations. They build an ever-widening picture of the universe and over time they see that everything is inter-connected.

The story they ultimately weave is indeed precious and will shape their view of themselves and the world.

The curriculum for the adolescent supports their quest for their place in wider society.

The adolescent works on the land, engages in economic activity and pursues creative activities that express his uniqueness. Importantly, the curriculum takes the adolescent out into society as an authentic contributor.

The curriculum balances their need to assert their individuality with a desire to belong to a community.

Our children’s work is indeed stupendous, inspired work … work that will eventually draw out the very best of being human.

The curriculum that scaffolds our work should be life affirming by aligning itself to the deepest nature of our children.

Anything less is unjustifiable.

Cosmic Education – nourishment for a lifetime

touching-the-universe

I recently gave the first great lesson – the story of the universe to the elementary children. This is a period of great excitement, questions and ponderings for the children and well, for me too.  I am always especially excited for the children who are hearing this epic tale for the first time. An entire universe is unlocked and ready for their explorations.

The entire Montessori ‘curriculum’ during the elementary years is dubbed as ‘Cosmic Education’. Cosmic Education connects all players in the Cosmic Drama, both animate, as well as inanimate. It is an opportunity for the child to unify themselves with the very cosmos!

Lofty ideals these, but Montessori is ALL about lofty ideals. The primary aged child has the gift of developing a ‘unified self’, the elementary aged child has the gift of ‘unifying with the cosmos’ and the adolescent, ‘unifying with ones fellow beings’.

Each and every year I see these stupendous ideals fleshed out into practical experiences that guide the children on their path.

This year, soon after I presented the story of the universe to the children I saw the movie ‘Agora‘. It’s the fictionalised story of the life of Hypatia– the Alexandrian mathematician and philosopher who lived during the 4th century CE. Living through times of religious strife, Hypatia managed to hold on to her beliefs and till the very end dedicate her life to probing the secrets of the universe. At a time when the mere thought that the workings of the cosmos was anything less of pure perfection was considered heresy, Hypatia anticipated that the earth went around the sun in an elliptical orbit. Now an ellipse was considered an ‘impure’ shape – a base figure as compared to the ‘perfect’ circle, where the centre is constantly equidistant from its diameter. Hypatia was a woman far beyond her times.

While viewing the movie (which had it’s good and bad points, but this is not a film review) I couldn’t help but see a parallel between Hypatia and the elementary child. Both probe the secrets of the cosmos and ‘touch’ it with their gift of imagination, are sensitive to issues of fairness, cannot help but ask BIG, philosophical questions and attempt to find answers guided by their reasoning mind.

I often meet adults who have completely lost touch with the child they once were. Philosophical questions, the awesomeness of the universe and all the many splendours out there, leave them unmoved while they plod along life’s path miserable in their day-to-day existence.

My hope is that children who have received cosmic education will, no matter how old they get, always have the child they once were alive in them. No matter what difficulties life throws in their path, and there surely will be many challenges, they will never cease to feel wonder at this truly majestic universe that we inhabit, never cease to ask questions bigger than themselves and never fear to look for answers.

In short, my hope is that the Cosmic Education they receive will last them a lifetime.

“Cosmic Education is intended to help each of us search for our cosmic task as a species and as individuals. To do this, we must understand ourselves in context. It is only against the background of our place in the universe, our relationships with other living organisms, and our understanding of human unity within cultural diversity, that we can attempt to answer the question, ‘Who am I?’”

~ Micheal Duffy and D’Neil Duffy – Cosmic Education – Children of the Universe

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

~ William Blake

Hand Work

Little Girl Knitting by Albert Anker
Little Girl Knitting by Albert Anker

We do a lot of hand work at school.

There’s woodworking, sewing, finger knitting, fish braiding (initiated by one of the children who also likes the privilege of being the one to present it to the others), weaving, crocheting and more recently, following paper patterns to make soft toys.

This year I plan to introduce children to knitting. Ideally, I would like to show them how to make their own wooden/bamboo knitting needles. It would call upon some of the wood working skills they have already gained and I am sure they will love the process of making the needles.

It is important to sow the seeds of a great many things in the elementary years. Children are still enthusiastic and willing to try their hand at all manner of ‘new’ pursuits. In the developmental stage that is to follow – the adolescent years, one sees this spirit decline. Instead adolescents want to ‘create’. What they do not want, is to start working from scratch on the skills they need to bring to life what they are imagining. If the skills have already been gained then they will use them and express themselves through their creations. This need for self-expression has resulted in substantial blocks of time being put aside for creative and self expression during the erdkinder years.

Work with our hands is important at every age.

“Men with hands and no head, and men with head and no hands are equally out of place in the modern community…” – Dr. Maria Montessori (Childhood to Adolescence)

The Making of Timelines

This summer break I have been busy with making the ‘missing’ timelines for the elementary environment.

Having already oriented themselves to their immediate environment in their first plane of development from 0 to 6 years, children in the second plane of development from 6 years to 12 years, seek to orient themselves to the entire cosmos.

In a Montessori environment, the universe itself is opened up to them through ‘Cosmic Education”. The lietmotif of Cosmic Education is the interdependance of all things, both animate and inanimate, and the gratitude that arises from this understanding.

Looking back in gratitude to all the participants in the drama of cosmic evolution is a subtext that plays constantly in the background of the elementary classroom.

The absence of easy accesibility to a vendor who stocks Montessori timelines in India has in fact been a boon. I have always found my understanding of a work crystallise when I am engaged in making the material myself. Moreover, the connection of the ‘hand’ to the material becomes more evident to the children.

Over the past two weeks rolls of cloth have been examined, measured and cut. An enterprising, and possibly only ‘alteration tailor’ in Bangalore has been befriended. Skeins of silk embroidery floss have been pulled out of dusty drawers and the tape measure has become my constant companion.

KHADI

First Stop was Khadi Bhandar, where the fabric was purchased. The patient salesman heard our request for unusual measures of cloth. Meters upon meters of black khadi, strange measures of blue, brown, green and red khadi were purchased.

Gandhi's beloeved Khadi
Gandhi’s beloved Khadi

SREEDHAR’S SHOP ON WHEELS AND THE BLANK TIMELINE OF LIFE

I have to admit this is the first time I have come across this particular piece of ingenuity. Sreedhar, an evidently enterprising gentlemen drove up to school in his tailoring shop on wheels!

For the next 6 hours he helped us put together the blank timeline of life. After hearing me wax lyrical about the timeline and explain the idea behind the colour coded strips of cloth, Sreedhar was sufficiently charmed by the idea of making it.

We had blue for the Paleozoic Era where life predominantly existed in the waters of earth, a brown strip to represent the Mesozoic Era where life invaded the land, a green strip for the Cenozoic Era where grass, mammals and birds evolved and finally a tiny strip of red to represent humans on earth.

The blank timeline is a blank replica of the timeline of life which charts the evolution of life. Children place pictures, labels and cards of information on pre-historic life and paleogeography onto the blank timeline to construct their own timeline of evolution. By engaging in this work they discover many inter-dependancies – the plants, the animals, the rocks, the oceans, the mountains, even the ice-ages, all interdependant, forming the web of life.

The sliver of a red strip at the end, represents humans. It visually communicates the short time that humans have lived on earth, as compared to all the other players.

The child eventually comes to see herself as the beneficiary of cosmic gifts.

Each year I hear, “Earth has been home to the jellyfish, amoeba, sponges etc etc, so much longer than it has been our home!” or “It is amoeba who are really our ancestors!”

Sreedhar's shop on wheels
Sreedhar’s shop on wheels

All measured up
All measured up

The completed timeline
The completed blank timeline of life

THE LONG BLACK STRIP

The story goes that the idea of the black timeline came to Montessori when she was residing in India. She had recently had a conversation with a child who had told her that there was nothing that he could learn from someone in the West as India had the oldest real civilisation in the world.

Later she observed workers in the heat and dust of Madras laying black cables in the ground.

From these two things was born the idea of the Long Black Strip – 300 meters of black cloth that represented 3 billion years of our universe’s history. The last few centimeters were coloured white to represent the time that humans have lived on earth.

Today we have reduced the 300 meters to 30 meters, and replaced the white strip with a red one.

Though the timeline does not precisely respresent the current accepted date of 4.5 billion years, it is an attempt to create an impression of the miniscule time that humans have made Earth their home.

The Long Black Strip is a compelling lesson in humility.

timeline black

THE HAND CHART

The hand chart creates an impression about the importance of the hand – of work – to humans.

It is a black strip of cloth representing 7 million years of human evolution. Bang in the center is a picture of a hand with a stone tool. There is also a slim red strip right at the end that represents the birth of writing and recorded history.

All throughout the history of humans, it is their ability to work that has helped them survive.

Here echoes a message: be grateful to those of previous generations who have faithfully, lovingly, and expertly done their work in the world so that you may have life and the benefit of their knowledge!

The Hand
The Hand

 

People say that narrow paths are difficult to walk about, yet, once you have narrowed down the whole, the vast and the big, to its least denominator, the narrow path is simple,
thanks to the process of reaching it.
Christoph Schiebold

Why The Kangaroo Hops

About a month ago, we at the elementary were lucky enough to catch a splendid, magical show, ‘Saltbush Cheering Carpet‘, that was visiting our city. It is was about 2 aboriginal friends that journey across Australia and learn the secrets of their land.

Since then the elementary children have been researching all things Australia and a web of Australia has filled our environment.

The children have studied human migration routes, paleogeography and crustural plates, Australia’s political and economic geography, it’s the flora and fauna, how people satisfied their fundamental needs – then and now, indigenous Australian art, and of course, dreamtime myths.

Finally, as a consolidation of everything they had been working on, the children produced a play.

They chose from the stories they had written in the style of dreamtime myths, through a secret ballot.

The story they voted for was “Why The Kangaroo Hops”.

Each afternoon for a week, they practiced their play. Each evening they worked with their parents to make their costumes.

Finally, they performed the play for the entire school on the day of our christmas celebrations!

Though I have worked with the elementary children for 10 years now, I never know where an experience will take us. A month ago as we sat mesmerized by the show, ‘Saltbush Cheering Carpet’,  no one had any idea that our christmas celebrations would have in it rainbow serpents, kookaburra’s and goannas!

 

Chossing from a list of aboriginal art symbols o paint on their faces
Choosing from a list of aboriginal art symbols to paint on their faces for the play

narrator
Once upon a dream time, there lived a kangaroo that loved to race with his friends. But because he was so slow, he always lost.

After a race in which he lost again, the kangaroo went to the Rainbow Serpents home in the outback and begged the Rainbow Serpent to give him speed. The great Rainbow Serpent agreed, but warned that the kangaroo should never use his speed to make others feel bad.
After a race in which the kangaroo had lost yet again, he could take it no more and made his way to the great Rainbow Serpents home in the Outback. He begged the Rainbow Serpent to give him speed.

The Rainbow Serpent agreed, but warned the Kangaroo to never use his new speed to make others feel bad.
The Rainbow Serpent agreed, but warned the Kangaroo “Never use your new speed to make others feel bad. Remember to always be kind and gentle to others”

It was the day of the great race and guess what? Much to the surprise of everyone, the Kangaroo won! Though the others were happy for him, the Kangaroo forgot all about his promise to the Rainbow Serpent and started making fun of the others!
It was the day of the great race and guess what? Much to the surprise of everyone, the Kangaroo won! Though the others were happy for him, the Kangaroo forgot all about his promise to the Rainbow Serpent and started making fun of the others!

The Rainbow Serpent soon heard about the Kangaroos rude behaviour and at a conference with the carpet snake, kokaburra and goanna, cursed, "From this day forward, all kangaroos will be destined to hop and not run. Yes, they will be able to hop fast, but each time they spring into the air, they will be reminded to be kind and gentle to others!"
The Rainbow Serpent soon heard about the Kangaroo’s rude behaviour and at a conference with the carpet snake, kookaburra and goanna, cursed, “From this day forward, all kangaroos will be destined to hop and not run. Yes, they will be able to hop fast, but each time they spring into the air, they will be reminded to be kind and gentle to others!”

That's all folks! Hope you enjoyed the show!
That’s all folks! Hope you enjoyed the show!